Customer Reviews:
2 reactions
8
Greatest of all time
Greatest of all time
1
Recycle that, would see again
Recycle that, would see again
1
Emotional roller-coaster
Emotional roller-coaster
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Greatest of all time
“Greatest of all time”
Never Seen Harps Before, But Very Impressed By The Artist. Moreover, The Singer Has An Incredible Voice
Reviewed by Clement M.
14 February 2025
Greatest of all time
“Greatest of all time”
Great show. Michelle playing the harp was awesome. Simone channeled the love stories of the ages in a unique way wishing there was intermission and another second half. Particularly loved the story about her Nanna and Poppy ♥️
Reviewed by Matthew P.
14 February 2025
See all customer reviews for Songs From the Harp: Simone Craddock & Michelle Smith
Reviewed by: Fringefeed
Review by Caitlin Kotula | 10 February 2025

Beautifully weaving poetry, jazz, and the hypnotizing pluck of harp song, Songs From the Harp charms audiences with a performance that is simply spellbinding. Nestled between the river and the sea at the Camelot, a stunning 1920s art deco castle in Mosman Park, acclaimed harpist Michelle Smith and award-winning vocalist Simone Craddock transform the Indoor Theatre with their immersive, romantic 60-minute set.

Performed against rippling black curtains and illuminated by the soft flicker of candlelight, Craddock and Smith work harmoniously to bring the stage to life. Craddock sets the scene: interlacing storytelling and song, Perth’s beloved singer takes us on a journey that spans civilizations. Retellings of famed and lesser-known stories of love, passion, and devotion are sweetened by the serene, limpid sounds of Smith’s pedal harp. The harp itself demands attention with its gorgeous, compelling stage presence – it’s near impossible to peel your eyes away.

Together, their performance is captivating and emotionally resonant. For the most part, Craddock’s velvety vocals and Smith’s articulate harp song complement each other well. The mid-century jazz elements were impressive, though they seemed better suited to Craddock’s vocals than Smith’s music. Although Smith played incredibly, the jazz elements perhaps did not best highlight her undeniable talent as a harpist. Often, the song choices favored Craddock, and it would have been wonderful to see Smith given more opportunities to demonstrate her capabilities and range. Craddock’s clicking for Smith later in the set also became distracting, but this was largely due to the stripped-back nature of the performance.

Despite this, Songs From the Harp was an ethereal, atmospheric experience, and the applause Craddock and Smith received speaks for itself.

All in all, Songs From the Harp is a performance that delights and, dare I say, pulls at the heartstrings. A magical celebration of music and love from across the ages, this event would be the perfect way to celebrate your own love story this Valentine’s Day.