The Curtin Film Society’s Cygnet IV stands as a brilliant showcase of up-and-coming local independent and student filmmaking talent. As the fourth instalment of the annual Cygnet Film Festival, this event delivers an exciting and diverse lineup, offering something for every film enthusiast—whether in the form of scripted narratives or experimental works.

The festival’s lineup featured nine short films, each exploring a variety of genres and themes. While the scripted films stood out as more well-rounded, the experimental works sometimes left more to be desired. That said, the films that didn’t try to do too much were the most enjoyable to watch. Not every short film needs to be deeply thought-provoking—sometimes, simplicity and clarity provide the most satisfying viewing experience within such tight time constraints.

Notable standouts included Joshua Webb, who submitted two visually stunning and narratively compelling entries. His meticulous attention to detail and strong sense of style elevated his work beyond the average festival fare.

In stark contrast to Webb’s heavier themes, Joshua Wittwer’s Fedora was a breath of fresh air. This light-hearted comedy brought a welcome change of pace, pairing a straightforward, humorous story with a consistent stylistic aesthetic that kept the audience engaged and entertained.

Overall, Cygnet IV offers a fantastic glimpse into the future of Western Australian cinema, highlighting the innovative spirit of emerging filmmakers. While this might not have been something I’d typically seek out in the Fringe program, I’d certainly be open to returning in the future. Whether you're a seasoned film buff or a casual viewer, this festival provides an enjoyable and rewarding experience, leaving you eager to see what these talented individuals create next.