It is a truth universally acknowledged that a perplexing string of crimes must be investigated by a plucky, intelligent detective. Throw in a time-travelling literary genius and you have Jane Austen: Private Eye. This cozy mystery-cum-Dr Who adventure sees historical figure Jane Austen hurtled through time to witness and solve the murders of two young women – 150 years apart! Written and performed by the immensely talented Jessica Messenger, Jane Austen: Private Eye is a thrilling rollercoaster of a mystery with all the charm of Austen’s 18th-century world imbued into its twists and turns.

Messenger gives her tour de force of a performance with impeccable acting skills and humour. The script is witty and tight with intelligent and plausible world building allowing for one to suspend disbelief at the idea that actual literary figure Jane Austen is solving a crime in 1967 alongside a handsome young detective constable. As unlikely as it sounds, Messenger’s Austen is the quintessential detective heroine – plucky and clever with an insatiable need to solve problems she takes her time travelling in stride and suppresses her culture shock to unravel the mystery around her. This performance is stunning – Messenger seamlessly moves between characters, infusing each one with distinct inflections and mannerisms that move the story along at a thrilling pace. There isn’t an accent she cannot do – Messenger is a delight to watch.

Jane Austen: Private Eye may seem like a bizarre concept at first glance – and don’t get me wrong, it’s completely absurd – but that’s exactly what makes it work.

Strengthened by a sharply intelligent script, an ingenious mystery, and a well-written, endearing heroine, this is the kind of show you can watch time and time again.