Reviewed by: Fringefeed
Review by Rita Pasqualini |
22 January 2026
A remarkably genuine and engaging performance, perfectly suited to the intimate venue. The title Ron vs The Queen is intriguing and possibly confusing: who is the person on stage, and who are those mentioned in the dialogue?
Some names are associated with photographs, and an origin story almost includes the taboo 5-letter C word in Australia - class. Together, we learn that ideological background differences within a family and personal conditions can have lifelong effects. However, if everyone lives long enough, changes in the hearts and minds reflect those of society. Still, the label "men on the margins" in the Summer Nights program is a suitable description of the multiple voices, physical appearances and actions that make up the story.
Greece and its culture play an important role in the show. The many perspectives include uninhibited dancing, photos of boats and classical statues, and the many words for 'love'. One of these is 'mania', a term also mentioned as part of the old name for bipolar disorder. Hearing a first-person description and explanation of the experiences associated with the condition is especially affecting. This heart-warming sincerity demonstrates the struggle of someone who is both gay and bipolar in a practical way. Aspects of the personal recollections can and did lead to recognition and identification among members of the enthusiastic audience.
Gary Steadman has training and experience in performance, and a decade with Barefaced Stories may well be the wellspring for this successful show. The season may be short, but the impact will last longer. More stories re "Ron"!